HORSE PHOTOGRAPHY

Lynette Smith

 

 

 

LESSON ONE

 

Introduction to Photography

 

 

 

 

DEFINING DIGITAL PHOTOGRAPHY

 

          Digital photography is a style of photography that utilizes digital technology to produce images of subjects.  It is the art and science of producing and manipulating digital photographs.  Digital photographs can be created in three ways: directly with a digital camera; by capturing a frame from a video; or by scanning a standard photograph.

 

          Digital images can also be displayed, printed, stored, manipulated, emailed and archived using digital and computer techniques without chemical processing.

 

          Digital photography is only one of several digital imaging forms.  The general definition of digital photography is: a photographic method where the image can be stored digitally for later reproduction.

 

          Once you have a digital photograph, you can create and apply numerous special effects with image enhancing software (which we will discuss in later lessons).  You are then able to print your photo on a printer or send it to a studio where they will print it on photographic paper.

 

          An important benefit of digital photography, along with being able to manipulate the photograph on a computer, is that the image can be kept indefinitely without deterioration. 

 

          Although the resolution of digital photos is not quite as high as photos produced from film, digital photography makes instant pictures available. Digital photography is particularly useful for photos that will be displayed on the World Wide Web.  

 

          When talking about digital photography, it’s important to note that there many opinions as to which photographic form is best, digital or film.  There’s no right answer to the question because it is a matter of personal choice and your needs are at the time.  Each form has its advantages, and it’s always a good idea to experiment with both.

 

 

 

 

WHAT IS A DIGITAL CAMERA?

         

          Before we go any further it’s important to understand what a digital camera is and how it’s different from a film camera.

 

          When using a film camera an image is formed when light is collected from a particular scene or object and focused on film.  The film reacts chemically when struck by the light and is said to “capture” the image.

 

          Instead of film, a “digital” camera has an image sensor that reacts to light by sending out electrical signals.  The information the camera takes from the image sensor is processed and stored as a collection of pixels in a digital file typically on a memory card inside the camera.  The process is a bit more complex, but for our purposes this is essentially how a digital photo image is created.

 

          The actual digital picture is made up of thousands and thousands of tiny dots, or pixels.

 

 

 

 

WHAT ARE PIXELS AND MEGAPIXELS?

 

          Digital cameras capture images as pixel elements, referred to as pixels. Simply put, a megapixel is equal to one million pixels.  Digital images are made up of thousands of these tiny, tile-like picture elements. The more pixels to an image, the higher the image resolution, which means the clearer the picture.

 

 

Pixilated Image Here

 
          The number of “megapixels” will tell you how many pixels in the image file.  For instance, a camera that captures 8 million pixels is called an 8-megapixel camera.  The number of megapixels can also determine the size of photos you will be able to print or the amount of cropping you can do.  For example, a 4-megapixel camera will be fine for snapshots and personal photos.  But if you’re looking to enlarge an image to a poster-size, then you would want to look at an 8 megapixel camera or higher.  A 4-megapixel image could end up looking pixilated (meaning you can see the little squares and they’re fuzzy looking rather than a clear image). Click here to see an example of a photo; pixilated and non-pixilated.

 

          The size of the sensor, and the size of each individual image sensor element, which corresponds to pixels, can affect photo quality. But the number of megapixels alone doesn’t determine the quality of a digital camera’s images.

 

          No matter how many pixels an image has, when you enlarge it enough, it will begin to lose sharpness and ultimately the pixels begin to show.

 

          You can always make an image smaller in a photo-editing program, but you can never make it larger and retain the original quality.

 

          “Resolution” is the term used to indicate “sharpness” of an image.  Initially the term referred to the ability of a camera system to resolve pairs of fine lines similar to those on a test chart. 

 

          When you are ready to purchase a digital camera, decide on the number of megapixels based on the maximum print size you will be creating, and the amount of cropping when editing.  Don’t just let a sales person push you into the digital camera they think you should buy.

 

          You are going to be photographing horses and you alone know what you intend to do with the photographs.    

 

 

 

 

TYPES OF DIGITAL CAMERAS

 

          It’s important to have a good understanding of what type of photos you’d like to take because that will determine the camera that you will purchase. 

 

          As digital photography continues to develop and become more popular, camera users are gaining more skills and knowledge. Quite a few non-professional photographers and serious photography amateurs are looking for more than just “point and shoot” cameras.   For those photographers considering digital photography, a digital SLR camera is the camera of choice.  Although the digital SLR camera is more expensive, they do provide a serious amateur or professional numerous options compared to a compact camera.  

 

          A great example of someone with the wrong camera, a friend of mine recently bought a digital camera “for a great deal” at a local shop.  She brought the camera home and started using it.  After a few uses, she realized the camera isn’t suitable for the type of photography she’s doing.  She wants a camera to “click, click, click – very fast”.  She’s photographing equestrian-action events.

 

          The “good deal” camera she purchased has a delay to it that won’t allow her the freedom she needs to take action shots.  She has a camera that frustrates her because it doesn’t have all the features she wants and needs.

 

           Before jumping at the “great deal”, make sure it’s a camera that will work for you.

 

          Digital Cameras can be divided into two very broad categories, “Compact Digital Cameras” and “SLR Digital Cameras”.

 

 

COMPACT: 

 

Sub compact digital cameras

          Sub compact digital cameras are more than capable of taking quality images. They provide a convenient, small, lightweight, easy to use option.  They will fit in your pocket, purse or backpack and can be carried everywhere.  Some models have fewer features than compact cameras, such as manual controls and a viewfinder.  They also come with compromises: shorter battery life, no viewfinder and a small zoom range of no more than 3 xs.  Most don’t have manual controls. The buttons and dials can be small, but typically they work well.  This form of camera can be moderate to high priced.

 

subcompact compressed

Sub-compact Digital Camera

 

 

 

 

Compact digital cameras

          Mainstream compact digital cameras are too big for your pocket, but compact enough for most handbags.  They’re simple to use, lightweight and great for point-and-shoot picture taking events. They have fully automatic and scene modes; some have semi-automatic and manual controls.   This can limit you to the camera’s assortment of present scene modes, similar to subcompact digital cameras.  All but the least expensive provide very good image quality. Low to moderately priced, depending on features.

 

 

compact digital

Compact Digital Camera

 

 

 

 

Super-zooms

          This camera is characterized by a very long zoom range of 10 xs or greater.  This would be good for horse sporting events and educational photographs focused on specific points of the horse.  It’s typically a heavier and bulkier camera than a compact digital camera.  There are a few models designed to be smaller and more lightweight.

 

super zoom

Super-zoom

 

 

 

 

SLR (Single Lens Reflex):

 

Digital single lens reflex cameras (Digital SLR)

          Single-lens reflex cameras are typically used by professionals and photo enthusiasts who want a “top-of-the-line” camera.  The digital SLR will provide outstanding optics, create high-resolution images and they are the largest and heaviest cameras.  A digital SLR also offers the most versatility and power with the ability to have interchangeable lenses.  Digital SLR cameras also offer faster auto focus, shorter shutter delay and faster continuous shooting which provides better action shots and the ability to take a large number of shots in a short period of time.  They also have a longer battery life than the smaller digital cameras. They perform much better in low light than compact cameras. DSLR cameras function automatically, but also have a full range of manual controls. You can buy only a DSLR body and purchase lenses separately.  You have the most flexibility with a Digital SLR and this is a camera you can “grow into” verses growing “out of” in a very short period of time. There are models available for photographers of all ranges.  

 

digital single lens

 

Digital Single Lens Camera

 

 

 

 

THE "BEST" DIGITAL CAMERA BRAND

 

          There are numerous camera brands, some of the best known being Canon, Nikon, Fuji and Panasonic.  My camera brand of choice is a Canon camera because that’s what I started with 30+ years ago.  I switched brands once briefly, but went back to Canon.  I like their products and have had great luck with them.  Nikon is another great camera brand.  They compete well with Canon.

 

          When you look at purchasing a camera, remember:

A. It’s “YOUR” personal preference.

B. You need to be an educated consumer.  Do your research to determine the best camera for you, your needs and type of photography you’ll be doing most often.  Truly there is no “best” brand of camera; it’s what works the “best” for you.

 

 

 

 

 

 

DEFINE YOURSELF, YOUR SUBJECT MATTER AND YOUR AUDIENCE

 

          The next important element of photograph is defining yourself, your photographic style and your audience.  If you haven’t determined your style, think about your interests and more specifically since this is a course related to horses, what types of equine events you enjoy participating in and watching.  If you’re photographing an event that you don’t enjoy, chances are your photos will communicate your lack of enthusiasm.

 

          Like any art form, photograph is based on some basic rules of composition such as the “Rule of Thirds” (lesson 2) and using a vanishing point.  Once you’ve mastered the composition techniques you can add your own artistic spin.

 

          Your audience in essence is your client.  When photographing horses or horse events, it’s important you understand the type of riding, cadence of the horse, movement, rhythm and what they’re looking for as a rider.  For instance, cattle cutting event is going to want you to focus on the horse “down and low” in the dirt, the eyes watching the cow and the body shifting quickly.  They’re not interested (some are) for the most part in a well-composed rule of “Thirds” horse, cow, the sky.  They’re interested in the horse and the movement of the horse while watching the cow.  Another example is a reining event.  They’re focused on the “slide” where the horse’s feet “roll” into the stop with lots of dirt, movement and the horse’s “look”.  The horse will have one front leg straight while the other is bent and the back legs are “down and low” as the horse slides into the stop.

 

          Timing is critical when photographing these events.

 

 

 

 

 

YOUR ARTISTIC VISION

 

 

 

Creative Horse Shot back of mane

 
          In my opinion, photography is subjective.  The events or images you enjoy photographing may not convey to someone else the message you are trying to communicate.  Several years ago I attended a photographer’s retreat and discovered quickly how important it is to stay true to yourself, your artistic vision and who you are.  During the course we had a photo share evening and as the photos were being viewed there were many compliments being handed out until they got to my photos.  The words I heard were “oh that’s interesting” to “that’s unusual”.  The comments were not delivered in a good tone.   At the end of that evening I felt like tossing my camera in the lake.  The next morning I realized that as much as they didn’t get my photos, their photos weren’t very interesting to me.  My photos were of horses and horse situations that I love.  Their photos were of leaves, rocks, moss and forested areas.  Although they had some interesting photographs, they weren’t anything I’d hang on my wall.  The same thoughts I’m sure they had about my photographs as well.

 

 

creatived shot

Do What You Love

 

 

          Photography is subjective.  When you try to shift your style to please others, you’ll lose what is special and unique about your photography.  It’s important to embrace your art and what you’re trying to communicate.  Some will love it and others will think it’s “interesting”.

 

          Photography serves as a way to preserve our fondest memories and record events as they happen.  The images can be the most striking form of art and always mean different things to different people.  

 

 

 

 

BASIC PHOTOGRAPHY TERMINOLOGY

 

 

Image File Types

 

Bitmap:  A bitmap is a type of graphic that is composed of pixels (picture element) in a grid.  Each “pixel” or “bit” also contains color information for the image.  Bitmap graphic formats are a fixed resolution, meaning the resizing of the bitmap graphic can potentially result in distortion of the image and show jagged edges.

 

Popular Bitmap Formats:  Some popular bitmap formats include: JPEG, GIF and TIFF. A common synonym for bitmap is "raster".

 

GIF:  GIF stands for “Graphics Interchange Format” and is a file format for storing graphical images up to 256 colors.  A “GIF” is a popular image format and image file extension. It is also a popular image file used on the World Wide Web.  When using text on images, a GIF has a tendency to be a better option than a JPEG due to the file size being smaller.  JPEG files also tend to have some degree of compression which can cause text to be blurry. 

 

JPEG:  Stands for “Joint Photographic Experts Group”, after the organization that developed the format and is pronounced (jay-peg).  JPEG is designed for compressing either full-color or gray-scale digital images.  The JPEG (or JPG) format is commonly used because it can reduce an image file size by up to 90% without losing a lot of image quality noticeable to the naked eye. The more an image is compressed, the more the image quality will be negatively affected.

 

TIFF:   A popular image format and image file extension, "TIFF" stands for “Tagged Image File Format”.  It is a complex, but flexible file format used to store digital images. TIFF can compress large images without losing information in the process or causing damage to the file. TIFF picks up where JPEG may leave off when it comes to larger files requiring greater compression.  The TIFF format is supported by several systems, and a common format for scanned images such as photographs.

 

RAW:  Many high-end cameras have the ability to shoot in a “RAW” mode.  When shooting in “RAW” mode your images will not be compressed and will be left completely unprocessed.  The “RAW” image file contains minimally processed data from the image sensor of a digital camera or image scanner.  They also have a wider dynamic range or color gamut than the eventual final image format.  RAW files are typically "closest" to the real picture, meaning it preserves most of the image details. The purpose of Raw image formats is to accurately record both 100% of exactly what the sensor "saw" or "sensed" (the data), and the conditions surrounding the recording of the image (the metadata).

 

 

Other Photography Terms

 

DPI:   One of the ways in which resolution is expressed is DPI (dots per inch). It refers to the number of pixels representing one square inch of image information. A high DPI results in greater image detail for printing purposes, but it also means larger file sizes and memory usage. For example, a 1" x 1" image at 72 DPI contains 5,184 (72 x 72) dots (pixels), while the same 1" x 1" image at 300 DPI contains 90,000 (300 x 300) dots.

 

FTP:  File Transfer Protocol is a standard that allows users to transfer files from one computer to another.

 

Grain:  The sand-like or granular appearance of a print, slide, negative or digital image. Grain becomes more noticeable with higher ISO settings, the degree of enlargement or length of exposure time.

 

Image Resolution:  The amount of data stored in an image file, measured in pixels per inch (PPI) or dots per inch (DPI).

 

Resolution:   In digital photography, resolution is a measurement of the number of pixels that make up a digital photograph. Resolution is one of the benchmarks of digital cameras and images. More pixels allow the production of bigger prints. Any of the modern 3, 4 & 5 megapixel cameras will allow making great 8x10 inch prints. Usually for prints 11x14 inches or more, it's preferable to use 4+ megapixel camera models.

 

Saturation:  Saturation is the density of a color.

 

Thumbnails:  Miniature images, resembling slides. Thumbnails are small, low-resolution images, typically used to display search results because they are easy to browse through. When you upload an image to a royalty free stock photography site, it will be displayed as a thumbnail.

 

Digital Watermark:  A digital watermark is an imprint used to brand images as property of an online retailer. The imprint is removed once the image is sold.  A watermark protects the photo from being downloaded and used by someone else without permission.  However, a Photoshop expert could possibly remove a watermark with a photo-editing program.  They keep the honest person, honest.  They’re not necessarily the best deterrent.

 

Watermark:  A logo or mark that is superimposed on an image. Preview images are watermarked because they can be saved from a browser without purchase. Hi-resolution images purchased by the buyer are not watermarked.

 

 

 

Click Here to Take Quiz

 

Assignment:

 

          The information on assignment one helps me get a better idea of who you are as a student, what you want to learn, what you already know and what your skill level is.  There is no wrong answer, but please provide details to your answers.

 

1.  What is your goal with this class?   

                                                     What would you like to take away from this course?

 

2.  What is your photography experience?   

              How much experience do you have?  

              Are you a beginner, intermediate or advanced photographer?   

              Are you photographing for fun, hobby or  for business?  

              What type of equine photography experience do you have?  

              Do you have any other photography experience?

 

3.     What do you hope to learn from this course?

              Is there anything specific you would like to learn from this class?

 

4.     What type of camera do you have for the course?

Please list the specific camera brand you're using and any lens that you will be photographing with such as (canon 70-200 f2.8) this will help me learn more about what you're working with.

 

5.     How familiar are you with the camera you're using?

Does your camera have the ability to photography in manual mode?

Does your camera have the ability to photograph in shutter or aperture priority mode?

How long have you had your camera? 

How much have you used your camera?  

What camera modes have you experimented with (manual, shutter, aperture, priority, auto, other)

 

6.  Have you read your camera's manual?

Did you read your manual front to back?

Did you have questions when you finished reading the manual or did it help you understand your camera better?

What is the sync speed for your camera when using flash?  <-- this is in your camera manual.

 

 

Please send your answers to me at: info@lynettesmith.com

 

You may sent them as an attachment in a Word document or in the body of an email.  Make sure your full name and email address is on the document...not just on the email.