Bits, Saddle Fitting and Hoof Balance

With Eleanor Blazer

 

 

Lesson One

Bits—Simple, Yet Effective!

 

          Believe me, bits are simple.

          There are only two kinds. (There are plenty of variations.)

          Neither kind can work miracles. They can, however, be effective communicators.

          Both kinds can be used to inflict pain, which is primarily what bits are designed to do. Most advertisements today attempt to convince possible buyers their special bit will solve training problems and never cause the horse discomfort. Impossible! Bits don’t solve training problems. And while they may not be causing discomfort, the best they can do is be comfortable.

          A bit should be used to communicate with your partner. The very best a bit can do is tell your partner what body position you want (your partner then knows the gait and pace desired) and which direction you desire to go.

          Understood and used properly bits are an important aid in getting high performance from your horse.

          Unfortunately most bits are not used properly.

          Ask most horsemen and you’ll be surprised to discover few know much about bits. Few can give an accurate definition of either kind of bit. And worst of all, few know how the bit they are using actually works.

         A lot of this confusion is created by bit makers and tack sellers who themselves do not seem to know much about bits.

          Catalogs and bit descriptions supplied by bit makers consistently incorrectly label curb bits as snaffles.

          I consider a snaffle a bit. (Many say a snaffle is a snaffle and a curb is a bit.)

          I consider a curb a bit.

          And that is it.

          There is a snaffle and there is a curb. What’s the difference?

          A snaffle has the reins attached opposite the mouthpiece and has no curb action and no poll action.  The snaffle is a direct action bit, meaning if one pound of pressure is applied to a rein, one pound of pressure is applied to the horse’s mouth. 

 

Ring Snaffle

D Snaffle with Medium Mouthpiece

Egg Butt Snaffle with Thick Mouthpiece

 

          A curb has both curb and poll action and has the reins attached below the mouthpiece so the principle of the lever and fulcrum is in effect.  That means if the cheek piece of the bit is one inch and the shank is three inches, the bit is 1 to 3 in leverage.  If the rider applies one pound of pressure to the reins, three pounds of pressure is applied to the horse’s mouth.

          Train “uneducated” horses with direct action (snaffle).  Train “advanced” horses with lever action (curb).  With lever action the rider can be very, very gentle with the reins and still get plenty of pressure so the horse will easily understand the request.

 

Low Port Curb with Roller

"Grazing" Shank on Low Port Curb

High Port Curb - Loose Jawed

 

          I did not mention the type of mouthpiece in either bit. That is because the type of mouthpiece does not define the bit. (You constantly hear that a snaffle is a bit with a jointed mouthpiece. Not true. A snaffle may have any type of mouthpiece you desire.)

          A snaffle—with any kind of mouthpiece—requires the use of two hands on the reins in order for it to function efficiently. The snaffle is a direct pressure bit. While the rider holds one rein steady, the other rein is tugged, thus causing the mouthpiece to press against the bar and lips of the mouth on one side. The bit pressure causes discomfort—a communication—and the horse yields in order to avoid the irritation, thus complying through nonresistance.

          You can come up the all the humane sounding jabberwacky you want, but the truth is the truth. Bits function on the theory the horse complies with the request to avoid pain.

          The snaffle is appropriate for the uneducated horse because it allows the rider to literally “place” the horse’s head in the desired position.  Using direct action pressure, the rider can position the horse’s head, and then while holding the head position, can influence the horse’s body position with weight and leg aids.

          The snaffle’s direct action can be used repeatedly within minutes to reaffirm the rider’s desire for a specific head position and body frame.

          The curb bit is a lever action bit. The shanks of a curb bit (the lever) move around the fulcrum (mouthpiece) and create pressure in the chin groove and at the poll. In addition, depending on the mouthpiece, pressures are applied to the tongue, the bars, the lips and possibly the roof of the mouth.

          As a horse advances in his education, he is generally asked to work on a curb bit.  The lever action of the curb bit magnifies the subtle movement of the reins as the rider “asks” for head and body frame rather than using bit pressure to place the horse in frame.

          The curb is appropriate for the advanced horse that understands the cue request and will respond to the smallest of rein actions

          Riders can use a hand on each rein, or use only one hand when riding with a curb bit.

 

How Bits Are Used

          A snaffle is a direct action bit (one pound of pressure on the reins equals one pound of pressure on the bit), and is generally mild because the mouthpiece is usually smooth and relatively wide in diameter.

          A snaffle can be made a little more severe to encourage a little quicker response by changing the size (narrow) and style (twisted wire) of mouthpiece.

          A snaffle allows the rider to physically put the horse in the frame the rider desires.  The rider tugs on the rein to tip the horse’s nose into position, or holds the position by leg pressure, pushing the horse into the bit.

          Use a direct action bit to “place” the horse into the body position desired.

          As the horse learns, it takes less and less time and less and less “placement” of the horse to get the position desired.  The horse is learning to respond to the request, but it still takes one pound of pressure on the rein to get one pound of pressure on the mouthpiece.

          When the horse is responding quickly and correctly to the direct action bit pressure (which is always followed by an immediate release of pressure) the horse is ready to begin using a curb bit.

          The curb is a lever action bit; one ounce of pressure on the reins will equal 3 or 4 or 5 ounces of pressure on the mouth, depending on the length of shank and cheek piece.  If the cheek piece is one inch and the shank is 3 inches, then the bit is 3 to 1 in pressure applied.

          With a curb, the rider asks the horse with a very small amount of pressure on the rein.  (That means you can just move your fingers and get enough pressure in the mouth to get a quick response.)  The response you seek is the horse taking the requested position—he knows what to do now and he doesn’t need to be “placed,” he just needs to be asked.

          Use the curb not to apply more pressure to the horse’s mouth, but to apply less.

         Use the curb on a horse that knows what to do…knows the positions and has learned the correct responses, and understands that by responding correctly he’ll be left in a comfortable position.

          That is the way bits are to be used. They are always incorrectly used when they are inflicting pain to “force compliance” rather than teach or ask for a specific response.

 

          All the names given to curb bits—such as Santa Barbara, Mullen, grazing or sweet water, simply describe styles of shank or mouthpiece. They are still simply curbs.

Ornate Spanish Style Shank

 

          Bits were invented about 1,000 B.C., starting out as a thong through the mouth or around the lower jaw. The idea was to inflict enough pain that the horse would comply with the handler’s desire rather than put up with continued discomfort. (Keep in mind men had already been riding astride for nearly 3,000 years without the use of bits.)

          As technology advanced, bits became much more severe and painful, especially with the advent of the martingale which allowed horsemen to apply great downward pressure to mouthpieces which were discs, spikes and chains. The Greeks were using such torture devices as well as a version of the modern roller bit, as long ago as 500 B.C.

          It is interesting to note that not much has changed in bits or the way we use them since that time. As soon as someone devised a different bit style, with more or less painful possibilities, horsemen rushed to employ it. It’s the same today. Horsemen seem to love the idea of a bit of any kind which will solve their particular training problem. Seldom, unfortunately does the horseman actually take the time to understand the bit he or she is using.

          "I was told it was mild. I was told it is a good training bit. I was told a jointed mouthpiece is an easy bit." Too many horsemen accept what they are told as an excuse not to educate themselves. And so they take the so called "cowboy snaffle", which you now know is a curb, and quickly inflict great pain to their horse. Mechanical hackamores ought to be used on the dude who puts one on his horse—they can be extreme pain producers, as can the Tom Thumb (a curb) which has a nutcracker action due to the jointed mouthpiece and lack of spacer bar between the shanks.

Jointed Mouthpiece Curb – often ‘incorrectly’ labeled a snaffle

          But then, you can’t blame the bit.

          Bits were designed to create discomfort, and I understand that, and I employ the principle that the horse will, when he understands the communication, comply to avoid pain.

          I also understand and endorse the fact that it is the horseman, not the bit, who inflicts the pain on purpose, then continues to abuse the horse with continued and/or greater pressure.

          Xenophon, the first to write a complete book on horsemanship, recognized what he was using—spikes, discs and chains in the mouth—and how they should be used.

          According to Xenophon, the key to the horse’s acceptance of the bit is the "light hand."

          Xenophon’s observation was made 400 B.C. and was as true then as it is today: it is not so much how severe the bit, but how light the hand.

          And a hand is light when it applies minimal pressure to communicate a desire, and that pressure is momentary, followed by an immediate release of the pressure.

          All bits, and all communication should be employed in the same manner: light pressure to ask for a response, then an immediate release of pressure. If the desired response is not forthcoming from the horse, the request is made again, followed by an immediate release. The request is repeated until the horse responds correctly, at which time he should be praised for his action. That is communication, which is horse training.

          Heavier, more severe bits may be employed by the light handed rider when, and only when, they can deliver the request in a more subtle manner.

          Bits can, of course, HELP establish the horse’s head position—snaffles raising the head, curbs lowering the head. The bit HELPS by acting as a barrier to establish a frame for the horse. The rider sets the head by establishing a barrier, then pushing the horse into the frame by the use of strong legs.

          All action initiates in the hindquarters. Great riders control the hindquarters, pushing a horse to a bit, never pulling the bit back to force a horse into the desired position.

          Heavy curb bits with large or elaborate (spade, for example) mouthpieces encourage a horse to hold his head in a vertical position. If the horse puts his head in the vertical, then the bit hangs from the headstall and does not apply pressure inside the horse’s mouth. If the horse holds the bit with his mouth while maintaining a vertical head set, the bit is most comfortable.

          The more severe a bit, the more carefully and gently it must be used.

Here are 2 rather complicated, but effective ways to rate the mildness or severity of bits.

 

 

1. SNAFFLE BIT RATING FORMULA

          Answer the following questions and give points for each answer as indicated:

 

          l. How many pieces are in the horse’s mouth?

                   A. one to 3 pieces equals 1 point.

                   B. more than 3 pieces equals 5 points.

 

          2.  What is the texture of the mouthpiece?

                   A. sharp (triangular or edged) equals 10 points.

                   B. twisted wire or chain equals 10 points.

                   C. twisted metal equals 5 points.

                   D. wrapped with smooth wire equals 3 points.

                   E. smooth equals 1 point.

 

          3.  What is the shape of the cheek piece?

                   A. round (ring or circle) equals 1 point.

                   B. other shapes (eggbutt, D, etc.) equals 2 points.

 

          4.  How thick is the mouthpiece?

                   A. ½ inch or more equals 1 point.

                   B. 3/8th inch equals 3 points.

                   C. less than 3/8ths inch equals 10 points.

 

          5.  Is it a gag or elevator bit?

                   A. yes equals 8 points.

                   B. no equals 0 points.

 

          6.  How is the cheek piece attached to the mouthpiece?

                   A. through holes in the mouthpiece equals 1 point.

                   B. all other attachments equals 3 points.

 

          7.  Are there keys or crickets on the mouthpiece?

                   A. yes equals 3 points.

                   B. no equals 0 points.

 

          8.  Is the mouthpiece copper, sweet iron, or does it have copper added to it,

               such as rings?

                   A. yes equals 3 points.

                   B. no equals 0 points.

 

          The most common snaffle you see is a ring snaffle with stainless steel 3/8th inch mouthpiece.  Let’s rate it using this formula.

 

          Add points for question one and two together, then multiply points for question three times the points for question four, and add that total to the previous total.  Add the points for question five and then subtract the points for questions six, seven and eight.  Here is how it rates: Q 1 equals 1, plus Q 2 equals 1 for a total of 2.  Question 3 equals 1 point multiplied by Q 4 with 3 points results in 3 points added to the previous total of 2 equals 5 points.  Now add 0 points for a no answer to question 5 and subtract 1 point for Q 6, leaving a total of 4 points.  Subtract 0 points for Q 7 and 0 points for Q 8 and the final answer is 4 points.

 

          Using this formula, bits are mild with 5 or less points, moderate with 6 to 19 points and severe with 20 more points.

 

 

 

          2. CURB BIT RATING FORMULA

          To rate a curb bit, answer the following questions and assign points as indicated.

 

          1.  How many pieces are there in the horse’s mouth?

                   A. one to 3 equals 1 point.

                   B. more than 3 pieces equals 5 points.

 

          2.  What is the size, height and shape of port?

                   A. no port and/or a joined mouthpiece skip questions 2 and question 

                       3 and go to question 4.

                   B. high narrow port and the port meets the cross piece squarely

                       equals 10 points.

                   C. high wide port and the port meets the cross piece in a rounded

                        position equals 5 points.

                   D. medium or low wide port equals 1 point.

                   E. unbroken arched mouthpiece equals 2 points.

                   F. straight unbroken mouthpiece equals 3 points.

 

          3.  How is the port angled with respect to the bit’s shanks?

                   A. port slopes back more than the shanks equals 1 point.

                   B. port is parallel to the shanks equals 1 point.

                   C. port slopes forward more than the shanks equals 10 points.

 

          4.  How does the mouthpiece slope side to side?

                   A. jointed mouthpiece with a spacer bar to keep the shanks apart

                       equals 1 point.

                   B. jointed mouthpiece with no spacer bar, shanks can move toward

                       the center under the jaw equals 10 points.

                   C. solid mouthpiece which is perpendicular to shanks equals 1 point.

                   D. solid mouthpiece, which slopes down to the shanks, equals 10

                        points.

         

          5.  How are the shanks bent?

                   A. they are straight equals 3 points.

                   B. swept back toward horse’s chest equals 1 point.

                   C. are angled forward of mouthpiece equals 5 points.

 

          6.  How long are the shanks?

                   A. 1 inch or less equals 1 point.

                   B. more than 1 inch up to 3 inches equals 2 points.

                   C. over 3 and up to 4 inches equals 4 points.

                   D. more than 4 inches equals 7 points.

 

          7.  What is the texture or shape of mouthpiece?

                   A. sharp (triangular or edged) equals 10 points.

                   B. twisted wire or chain equals 10 points.

                   C. twisted metal equals 5 points

                   D. wrapped with smooth wire equals 3 points.

                   E. smooth equals 1 point.

 

          8.  How thick is the mouthpiece?

                   A. ½ inch or more 2 points.

                   B. less than ½ inch equals 3 points.

 

          9.  Where does the curb strap attach?

                   A. same ring as the bridle cheeks equals 0 points.

                   B. separate ring below ring for bridle equals 2 points.

                   C. separate ring behind the ring for bridle equals 5 points

 

          10.  How are the shanks attached?

                   A. through holes in the mouthpiece as most Pelhams equals 1 point.

                   B. all others including welded solid equals 3 points.

 

          11.  Are there keys, crickets or a roller on the mouthpiece?

                   A. yes equals 3 points.

                   B. no equals 0 points.

 

          12.  Is the mouthpiece copper or sweet iron…or does it have copper or iron

                 added to it in any way?

                   A. yes equals 3 points.

                   B. no equals 0 points.

 

          To rate the severity of the curb bit use this formula: add the points together for questions 1, 2, 3, 4 and 5.  Now add the points for 6 and 7 together and multiply by the points for question 8.   Add that to the previous total and then subtract the points for questions, 9, 10, 11 and 12.

 

          Let’s rate the most standard curb seen today.  This bit is solid jawed, has a low port with a 5 inch shank and is made of stainless steel.  The curb strap attaches in the same ring as the bridle.  Here is the rating: Q 1 equals 1 point, Q 2 equals 1 point, Q 3 equals 1 point, Q 4 equals 1 point, Q 5 equals 3 points for a total of 7 points.  Now add the points for question six (7)  and question seven (1) for 8 points and multiply the points for Q 8 which is 2 points for a total of 16 points.  Add the 16 points and the 7 points for a total of 23 points, then subtract 0 points for question 9, and subtract 3 points for question 10, for a total of 20, then subtract 0 points for question 11 and 0 points for question 12.  The total then is 20 points.

 

          The rating then for the most common (and cheapest) curb bit is 20 which makes it a severe bit for any horse.  A score of 6 to 19 points would be a moderate bit and a score of less than 6 would be a mild bit.

 

          Never get a bigger, stronger bit to control a horse. That is a sure sign of a poor horseman.

          Before any bit is selected, the knowledgeable trainer or rider will determine the configuration of the horse’s mouth by observation and measurement.  Does the horse have a deep mouth, short mouth, wide mouth, thick tongue, long tongue, narrow jaw, etc.?

          Determining mouth configuration is the first step to bit selection.

            Whether curb or snaffle, the correct width of the bit is very important.

          To measure the width of the mouth you can use a piece of twine or a wooden dowel about 12 inches long.  Put the dowel in the horse’s mouth where the bit would be placed.  Mark the dowel or string on each side of the horse’s mouth to get the correct width for the bit.  Always round up.  If the width is 4 and 7/8th, then get a 5 inch bit, not a 4 and ¾ inch.

 

          To determine if you horse has a lot of tongue or a little, lift his lips when his mouth is closed.  If the horse’s tongue sticks out over the bars of the mouth, the horse has a thick tongue.

 

            To determine the room inside the mouth put your index finger in the side of the horse’s mouth where the bit mouthpiece would go.  When the horse stops trying to chew your finger, bend your finger and see if it hits the roof of his mouth.  If you touch the roof of the mouth, the horse has a low palate.

 

          While determining a horse’s mouth configuration, also check the horse’s teeth. 

 

          A horse’s teeth are critical to health, longevity, bit acceptance and training.  A horse must eat efficiently to maintain health, and he must have a comfortable mouth or his attitude and performance will be adversely affected.

 

          A horse having trouble with his teeth will often toss his head in response to the bit, hackamore or halter.  (Hackamores and halters apply pressure to the cheeks, pushing the flesh against sharp edges of teeth.)   A horse with tooth problems will also carry his head and neck crooked.

 

          The teeth are divided into “incisors” (front teeth used for biting and tearing) and “molars” (back teeth used for grinding.)

 

          The mature horse has 40 teeth, while a mare has 36.  The stallion or gelding has “tushes,” or pointed teeth between the incisors and molars.  Tushes are not always found in mares.

 

          When a horse gets his teeth, the size, shape and markings can tell you the approximate age of the horse. 

 

To tell the age of any horse
Inspect the lower jaw, of course.
The sixth front tooth the tale will tell
And every doubt and fear dispel.

Two middle "nippers" you behold
Before the colt is two weeks old
Before eight weeks, two more will come
Eight months, the "corners" cut the gum

Two outside grooves will disappear
From the middle two in just one year
In two years from the second pair
In three the corners, too, are bare

At two, the middle "nippers" drop
At three, the second pair can't stop
When four years old, the third pair goes
At five, a full new set he shows

The deep black spots will pass from view
At six years, from the middle two
The second pair at seven years
At eight, the spot each "corner" clears

From the middle "nippers" upper jaw
At nine, the black spots will withdraw
The second pair at ten are white
Eleven finds the "corners" light

Continued-I'm out of characters!

Update: As time goes on, the horsemen know,
The oval teeth, three-sided grow.
They longer get, project before,
Till twenty, which we know know more.

"Gleason's Handbook of Horses" published in 1892


 

          Sometimes horses and mares will develop small, pointed teeth in front of the molars of the upper jaw.  These teeth are known as “wolf” teeth.  They don’t often appear in the lower jaw, but they can.  Wolf teeth interfere with a bit only when the bit is being used improperly, being pulled back in the mouth.  However, it’s not a bad idea to have wolf teeth removed (it’s very simple) eliminating the chance a bit will bump against them.

 

          The upper jaw is wider than the lower jaw, so when the horse grinds its forage or grains, the teeth do not create a completely smooth table…the outer edges of the upper jaw teeth can become sharp, while the inner edges of the lower jaw teeth may remain ragged.  The sharp edges of the upper teeth can irritate the inside of the horse’s cheek, while the lower teeth can cut or scrape the horse’s tongue.

 

          To remove these sharp edges we “float” the horse’s teeth. (Floating is the “smoothing of the rough edges of tooth by the use of specific file called a float.  Floating is most often done by hand.)

 

          In humans, once the permanent teeth come in, growth of the tooth stops…not so with the horse whose teeth continue to erupt from the gum line throughout his life.  (continuous eruption)  Because the teeth are worn down from the grinding involved in chewing, the teeth continually push up through the jaw bone to re-level the teeth within the mouth. 

 

          Because the horse has a fixed amount of tooth to erupt, it is extremely important that “aggressive floating” is avoided.    I advise not allowing anyone to “power float” a horse.  Power floats (floats driven by electric power) frequently take too much off the tooth, actually taking years off the horse’s life.

 

          On occasion a horse’s incisors will not meet properly.  If the upper teeth stick out in front of the lower jaw, it is called “parrot mouthed.”  If the lower teeth are in front of the upper incisors, the horse is said to have an “undershot jaw.”

 

          The teeth a horse loses include his baby incisors and his baby molars.  The baby incisors come out pretty easily, but often the baby molars hang around for awhile, sitting on top of the incoming permanent molar.  While the baby molar is sitting on top of the permanent tooth, it is called a “cap.”  Caps will fall off on their own (you’ll find them in the manger); however, you or your veterinarian can remove a stubborn cap, making the horse’s chewing much more comfortable.

 

           In young horses, about 3 years of age, you’ll often see a large lump on the bottom of the jaw….this is the base of a fully developed tooth which will continue to erupt, eventually eliminating the lump on the lower jaw.

 

          As a horse grows older, the top of the tooth (crown) wears down, followed by the neck of the tooth and lastly the root.  A 4 year old horse has about half of his tooth protruding from the gum, while an older horse may have only stubs left.

 

          You must constantly be alert to the condition of your horse’s mouth.  Uneven wear, excessive wear or misalignments can cause health problems as well as training problems.

 

          Performance and behavioral problems include tossing of the head, refusal or reluctance to respond to communication through the reins and bit, and mouth opening.  The horse will often carry himself crooked and out of balance in an attempt to avoid mouth pain.

 

          To flex at the poll, the horse’s lower jaw must slide forward.  If the horse wants to raise his head, the lower jaw slides back just a small amount.  If the horse has misaligned teeth or rough tooth surfaces, the jaw cannot slide easily, so the horse will avoid the request or open his mouth to allow the jaw to move.  (Drop your own chin to your chest while concentrating on your lower jaw…you can actually feel it move forward.  Now roll your head back and you’ll feel your lower jaw move backward.)

 

          Attempting to force compliance to requests by using a standing martingale or tie-down or using a noseband to keep the mouth shut will only increase the problem and create greater mouth pain.

 

          The ability to hold a bit without discomfort is critical to any performance horse being trained to high levels.  A painful mouth can affect a horse’s performance just as any other unsoundness.

 

          If you consider your horse’s mouth, then selecting a bit is much easier. Usually a large, round, smooth mouthpiece is going to be mild and comfortable for most horses. However, if your horse has a small mouth and a thick tongue, then a large mouthpiece is going to be uncomfortable. A narrow mouthpiece may be toward the more severe, but for this particular horse will be much better suited.

In nearly every case, when a horse is fighting a bit or ignoring it, there is a dental problem or the bit is too severe for the horse. The horse is trying to avoid the pain being inflicted.

            The thinking, knowledgeable rider will immediately determine the cause of the behavior.  If it is not a mouth problem, then the rider will return to the use of a milder bit.

 

 

          MOUTHPIECES

          When it comes to mouthpieces, average diameter, smooth and copper usually combine for the mildest bit.

          Ports will help keep the horse from getting his tongue over the mouthpiece. Rollers and crickets sometimes soothe a nervous horse.

          These mouthpieces can be found in either a snaffle or a curb.

          All other mouthpieces are questionable. They may be of much more importance to the rider’s ego than to the benefit of the horse.

          The snaffle generally comes as An "O" (ring), D or egg butt with a jointed mouthpiece. The O forms the snaffle cheek piece and if allowed to slide through the end of the mouthpiece, it can pinch the edges of the horse’s lip. It is best to have a sleeve on the ring, which is the idea of the D. The egg butt also has a sleeve which prevents pinching.

           Young horses do very well on the jointed mouthpiece snaffle. But they also do well on a snaffle with a small port, or a curved hollow rubber bar.

          When placing the snaffle in the horse’s mouth you should note the width of the mouthpiece. The bit should be wide enough not to pinch the horse’s lips inward. The mouthpiece should fit snugly in the mouth, and may create one wrinkle at the corner of the mouth.

          The snaffle may have a chin strap which attaches below the reins. The chin strap serves no purpose, but some claim it helps to keep the cheek pieces from being pulled into the mouth. Any rider who pulls the cheek piece of a snaffle into the horse’s mouth needs to dismount; he or she is not yet ready to ride a horse.

          The most important part of the snaffle is the one holding the reins.

          More highly trained horses on curbs can be reined with two hands or one hand. The key to the curb is that it applies pressures in three places, the poll, the chin groove and the mouth, all at the same time. These pressures are supposed to combine to allow the rider to give a more subtle cue while giving the horse more information concerning gait, head set and body position.

          The mouthpiece of the curb too should fit snugly into the corner of the horse’s mouth. The chin strap should be loose enough to allow you to put two fingers between the chin groove and the strap.

          The chin strap should begin to engage the chin groove when the shank of the bit has moved about 45 degrees.

          The chin strap should be slightly tighter for fast work and slightly looser for slow work. With the chin strap slightly tighter, the cue will be delivered with less rein action.

          The most important part of the curb is the one holding the reins.

          The full bridle is actually two bits, four reins. The full bridle is a snaffle, often called a Bridoon, and a curb, both in the horse’s mouth at the same time. The bits are used one at a time in order to refine or expand the communication being offered.

          The material used to make bits is often very important to the horse. Most horses get along quite well with stainless steel. At the same time, most horses do not like aluminum. Neither material stimulates a lot of moisture in the mouth.

          Copper stimulates moisture and horses generally like a full copper mouthpiece, or a mouthpiece with inlaid copper, copper rings, copper port, or copper roller.

          Horses especially like iron bits and are very delighted by iron with a little rust deterioration, known as sweet iron. Iron causes a horse to salivate and thus keep the mouth moist and soft.

          Plastic or rubber bits generally cause a horse to have a dry mouth.

          Any claim that a bit is going to solve training problems, reduce resistance, give more comfort, control the rogue or get the horse to swim on his back while whistling Dixie is bunk.

          Bits do what they do, create pressures in order to deliver messages from the rider.

          A good horseman considers his horse and his education level, selects a bit which he hopes will communicate effectively, and then he uses the bit in the least abusive way possible.

           There is no reason not to change bits if you think a change will benefit your horse.

          It is a good idea to have several bits to choose from. Horses often like a change of bits as they progress in their lessons. And every horse is an individual. What works well with one may not be enjoyed by another.

          While bits are simple, communication is not.

          Before blaming a bit for poor behavior, or seeking a new bit to solve a training problem, rethink your effectiveness in communicating with your horse.

          Finally, a word about bitless bridles.  (What is said here about bitless bridles can also be said about bosals.   We are not talking about a mechanical hackamore which is a torture device and nothing like a bitless bridle.)

 

          Lots of horses like to be ridden in a bitless bridle, mostly to get away from riders with bad hands. 

 

          If you want to use a bitless bridle, that is fine, as long as you understand that it also applies pressure in an effort to get the horse to move away from discomfort and into a position of comfort.

 

          Because a bitless bridle doesn’t produce much discomfort, a horse will seldom if ever, learn to carry himself with much collection.  A bitless bridle doesn’t provide the needed barrier to forward movement necessary to create a shortened frame and rounded back.   A horse going on a trail ride will be perfectly happy in a bitless bridle as he can remain flat, relaxed and elongated.

 

          Choose a bitless bridle if you have no intention of asking for advanced level exercises.

   

Click here to take Quiz 1

 

Assignment:

          1. Describe the bit you have chosen for your horse. and then rate it using the formula in the lesson.  Please attach a picture of the bit.

 

          2. What is the age of your horse? Describe your horse’s level of training. 

 

          3. Why did you chose the bit you are using?

 

          4. Please send a video of you inspecting your horse's mouth.  What is the width? Is the palette low or high?  Does the tongue appear to protrude over the bars?  Load the video to YouTube and send me the link.  Make sure the security setting is "public". 

 

          5. How long since his last dental checkup?  What was done during the appointment?

 

 

Send your report to Ms. Eleanor at: elblazer@horsecoursesonline.com Be sure to include your full name and email address.  Please check spelling and write in complete sentences.